Tommy Wiseau seems to have always maintained a fascination with various shooting formats in his vision of The Room. When he initially shot the cult classic, he even used digital and 35mm cameras simultaneously — something pointed out as an incredibly bizarre, redundant, and unnecessary choice in The Disaster Artist. Now, with 3D technology experiencing a boom, Wiseau seems to want to go back and add another cinematic layer to The Room by remaking the entire thing in 3D, “imperfections” and all. Given The Room‘s reputation for its tumultuous production, it’s a matter of waiting to see of Wiseau can get all of the actors back together for another take on the story.
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